shashasha

Chan Wai-Kwong’s photobook “Love Love Love Love More” delivers another stunning journey into the imaginative kaleidoscope of the Hong Kong photographer.
Image after image – ranging from the concrete to the abstract, from body parts to flowers to toilets to food and innocuous city snapshots – draws another fragment of Chan Wai-Kwong’s world, in which stretch marks on a person’s belly possess the same arresting visual power as a tree’s silhouette or a woman climaxing.